My practice explores and questions ideas and aesthetics regarding memory and emotion, considering their impact in connection to individual, and shared, psychology. Conducting thorough subject research, I often apply a Conceptual approach of representation with ambiguity and aesthetic form, intending for audience insight and autonomy when encountering my work. I also explore more traditional approaches with oil painting portraiture; however my portraits are less about the sitter, and more about myself, showing an alternative approach to representation, and an idiosyncratic style of the sitter's eyes never facing the viewer.

Defying object, emotions become difficult to define. Interpreting such responses, I aim to connect my audience and allow a more open conversation around difficult emotions and feelings. Recently, my work has been responding to the experience of grief, following the untimely deaths of my parents in the past couple of years. My ideas heavily shape my materiality, creating a rich and often multi-disciplinary practice in 2D and 3D forms, from contemporary portraiture, abstract, installation, and performance for more overtly vulnerable forms of expression. Archive and order to generate and maintain control within emotional trauma have also become a cathartic and critical aspect in my practice, and vehicle for understanding to allow a better communication with my viewer.

Using my experience and feelings, I seek to address the universal from the personal, challenging this binary. By referencing my own understanding of some of these more common emotional challenges, such as grief, I hope to break down taboo and censorship stigmatised by fear. As performer and writer Lisa Kron observed, “The goal of autobiographical work should not be to tell stories about yourself but, instead, to use the details of your own life to illuminate or explore something more universal."